BEAUTÉ BRUT: Collegio del Colle, Urbino

 

Collegio del Colle, Urbino (PU), 1962-1965

Collegio del Colle is located in the hills of Urbino. It is the first one of four university colleges realized by De Carlo between 1973 and 1983. The sloping terraces follow the land shapes. De Carlo tries the interpenetration between the shapes of architectural volume and the morphology of Urbino. This section represents a cell, which is composed by two bedrooms in two different floors.
This group of building is mainly made of exposed bricks; the main structure and the cantilevered elements are made of reinforced concrete. Even if his architecture is a natural inclination of the hills, the materials he used underline their strong presence in the landscape. (Claretta Mazzonetto)

The early “collegio del colle” is formed by a central nucleus with collective services, surronded by several groups of small residential cells, lying on a hill near the city of Urbino. Concrete and brick constructive elements are in harmonic contrast with the landscape. The following three groups of “collegi” (vela, aquilone, tridente), were added between 1973 and 1983, creating a organic ensemble. (Francesco Di Bella)

 

Giancarlo De Carlo, Oscar Ferrari · Collegi Universitari a Urbino

 

Giancarlo De Carlo (1919-2005) has been one of the most influential figures of the Italian architectural scene of the second half of the twentieth century. A protagonist of the architectural debate since the mid-1940s, De Carlo visited Urbino for the first time in 1951, invited by the dean of the university, the writer Carlo Bo, who, in the following year, commissioned him the renovation of the ancient seat of the atheneum in the historic center of the city. Such a commission marks the starting point of the long relationship that ties the life and work of the architect to the city of the Marches: the collaboration first with the university and then with the municipality is kept alive up to last years before De Carlo’s death. (detailsinsection)

 

Giancarlo De Carlo, Oscar Ferrari · Collegi Universitari a Urbino

Giancarlo De Carlo, Oscar Ferrari · Collegi Universitari a Urbino

Giancarlo De Carlo, Oscar Ferrari · Collegi Universitari a Urbino

Giancarlo De Carlo, Oscar Ferrari · Collegi Universitari a Urbino

dormitory and cafeteria

 

Image Credits: sosbrutalism, istate, organiconcrete, wikimedia, spatialagency, divisare,

 

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BEAUTÉ BRUT: Brazilian Museum of Sculpture

Paulo Mendes da Rocha’s Brazilian Museum of Sculpture in São Paulo, Brazil is a simple yet provocative design that uses a large beam to give the museum a presence, while also fulfilling the need for shade and shelter for the exterior plaza. (Archidose)

Though MuBE took shape in the late 1980s, significantly after Brutalism’s heyday, it is a striking example of the Paulista School style—the international movement’s Brazilian iteration. As such, Mendes da Rocha—who received a Golden Lion at this year’s Venice Architecture Biennale and the 2006 Pritzker Prize—embraced the large-scale, bulky forms that raw concrete naturally facilitates, manifested in the nearly-200-foot beam atop the museum. Containing offices, an art school, and open, concrete galleries, the museum itself is built largely below ground, so as to respect the surrounding green space. (Rachel Lebowitz)

 

Image Credits: Archdaily, Danda, Artsy